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                    <text>NEWSLETTER - WINTER 2026

Greetings,

Table of Contents
1. EVENTS
Tibetan Community Traditional Knowledge Workshop
Tibetan Book Celebration
Seminar on Gandharan Scrolls at Islamabad Museum
Munsee Language &amp; History Symposium
2. LECTURES AND CONVERSATIONS
Washington Gospels Science Convening (USA)
Lecture - Indigenous Community-Centred Care (Australia)
Sealskin Book Seminar (Norway)
Global Past Research Initiative (Canada)
Global Judaic Presentation (Israel)

Since its inception during the COVID-19 pandemic, the Hidden
Stories project has always been about local experience and global
interconnectedness. So let us just start by acknowledging —
yet again — another painful and difficult time for many of those we
have come to know through this work, all around the world. We
are thinking of our colleagues and friends and hoping for a more
peaceful future.
We present this letter from the team in 2026, the final year planned
for the project, with a strong sense of gathering momentum as the
ideas and questions we had, the learning we hoped for, and the
partnerships we cultivated, all come to fruition in a way that makes
us deeply grateful.

Workshop &amp; Lecture - Hebrew Calligraphy &amp; Printing (Canada)
3. PUBLICATIONS
Volume - Studies of a Sinai Palimpsest
Volume - Textiles in Manuscripts
Article - Printed Cairo Genizah Fragment

It is impossible to choose favourites from among the many
achievements of colleagues described below; we hope that you too
will be fascinated by the range of activities, from paper, ink-making,
and printing with Toronto’s Tibetan community to the publication of
two new volumes emerging from Hidden Stories and our previous

4. RESEARCH UPDATES
Babylonian Tablet Scanning &amp; 3D Printing
Tibetan Blue-Black Manuscripts at ROM
5. TEAM UPDATES
Hagos Abrha Abay - Making Ethiopic Manuscripts Accessible
Welcome to Alexandra Atiya
Farewell to Noam Sienna
6. UPCOMING
Book Science Virtual Meeting (May 29-30)

Book and the Silk Roads project — one of these on Textiles in
Manuscripts and the other centered on a richly layered Latin / Arabic
palimpsest from St. Catherine’s Monastery in the Sinai Desert.
Thank you, colleagues and friends, for so much kindness and so much
rich thinking. We are reminded of a teaching from the nineteenthcentury novelist George Eliot: even our “unhistoric acts” can be part
of “the growing good of the world” — “incalculably diffusive.”

Hidden Stories co-PIs:
Alexandra Gillespie (University of Toronto)
Suzanne Conklin Akbari (Institute for Advanced Study, Princeton)

�EVENTS

(LT to RT) Over an outdoor flame, Kalzang Dorjee Bhutia (Hidden Stories) makes traditional carbon-black ink from burnt Himalayan grain and other traditional ingredients; Jim
Canary (Indiana U.) shares traditional Himalayan papermaking fiber with young students at the Tibetan Canadian Cultural Centre; students at the TCCC Language and Culture
School print prayer flags using traditional ink, cotton cloth, and hand-carved wooden printing blocks. Photos: M. Moreton.

Tibetan Community Event on Traditional Knowledge, Paper, and Printing Arts
Tibetan community members gathered on September 28, 2025 at the Tibetan Canadian Cultural Centre (TCCC) for a day of traditional
Himalayan paper and printing arts. The event was attended by several hundred members of the Greater Toronto Area’s 20,000-strong
Tibetan community, including TCCC Language and Culture School children. Participants learned how to make traditional ink with
Kalzang Bhutia; made handmade paper with Jim Canary from Himalayan paper fiber using a floating mould technique; and printed
Buddhist prayer flags with workshop leaders, including Amy Holmes-Tagchungdarpa. The prayer flags were a particular focus. Used in
monasteries, shrines, and homes across the Himalayas, as well as among Tibetan and Himalayan diasporic communities, prayer flags
have traditionally been printed with biodegradable materials designed to degrade naturally in the environment. In recent decades,
however, synthetic fabrics and toxic inks have replaced traditional methods, polluting the environment, complicating traditional
spiritual practices, and detracting from practitioners’ relationship to the natural world. Bhutia, an Indigenous knowledge keeper and
Lhopo scholar from West Sikkim, states that “These skills and knowledge are changing across the Himalayas as new methods and
materials replace traditional knowledge and skills and our ecologies are transformed. These forms of traditional knowledge are crucial
to uphold in these times of transformation.”
By organizing locally while thinking globally, the event served as a space for information-sharing about the importance of revitalizing
knowledge of traditional crafts and distributing this knowledge across the Tibetan and Himalayan diaspora. Elders shared with children
their stories of learning ink-making and traditional arts when they themselves were youngsters growing up in the Himalayas. Passing
this knowledge along to the younger generation was a powerful aspect of the workshop, which will continue to reverberate and
be amplified through the Canadian diaspora’s deep connections with the global Tibetan community. The event was organized and
co-sponsored by Hidden Stories, the East Asian Library (University of Toronto), and the Tibetan Canadian Cultural Centre: thanks to
Thinley Gyatso, Dechen Dorjee (Principal, TCCC Language and Culture School), Alexandra Atiya, and Melissa Moreton.

2

�(LT to RT) Students at the TCCC Language and Culture School make traditional Himalayan paper using the floating mould technique; (LT to RT) Jim Canary, Hana Kim (UofT East
Asian Library), and Thinley Gyatso (UofT) visit with a Tibetan blue-black manuscript at the event. Photos: M. Moreton

Tibetan Book Celebration
On September 30, 2025, Hidden Stories collaborators Gyatso and Canary also joined Tibetan community members attending The
Lobsang P. Lhalungpa Tibetan Pecha Collection: A Celebration at the Cheng Yu Tung East Asian Library (part of the University of
Toronto Libraries), organized by Director Hana Kim. Lhalungpa was a Tibetan monk, as well as an important translator, scholar, and
educator, whose scholarship had a great impact upon the study of Tibetan texts and whose translations served to foster Tibetan
Studies in the west. The collection, only recently acquired by the library, is a remarkable group of printed and manuscript texts in
pecha format dating from the 15th to the 20th centuries, acquired during the scholar’s own six-decades-long study. Gyatso, a PhD
Candidate in Buddhist Studies at UofT, created a descriptive handlist for the hundreds of books in the collection. Attendees heard
remarks by Lhalungpa family members, an overview of the collection by Kristina Dy-Liacco (Tibetan Studies Librarian, C.V. Starr East
Asian Library, Columbia U.), and a lecture on manuscripts by Gray Tuttle (Leila Hadley Luce Professor of Modern Tibetan Studies,
Columbia U.). The UofT’s EAL, together with the Thomas Fisher Rare Book Library, holds thousands of Tibetan manuscripts and books;
this event aimed to highlight these collections and build new connections linking community members with Tibetan cultural heritage
held locally in UofT libraries. The event presentations can be watched here.

Kristina Dy-Liacco with Tibetan community members at the event celebrating the Lobsang P.
Lhalungpa collection at UTL’s Cheng Yu Tung East Asian Library. September 30, 2025.

Seminar on Gandhari Birchbark Scrolls and their Conservation - Islamabad Museum
On October 31, 2025, the Hidden Stories team hosted a hybrid seminar for the Gandhari Manuscript Project, which has been working
to found a birchbark conservation centre in Islamabad, Pakistan, to care for and maintain one of the world’s oldest collections of
Buddhist scrolls. Three key figures in this project – Mark Allon (University of Sydney), Muhammad Azeem (Archeological Engineer for the
Department of Archaeology and Museums [DOAM], Islamabad, Pakistan), and Jason Neelis (Wilfrid Laurier University) – gave updates
on their work with ancient Gandhari Buddhist scrolls in Islamabad to an audience made up of community members in Toronto as well
as colleagues online in Pakistan, the US, and Ottawa.
3

�Munsee Language &amp; History Symposium
The Fifth Annual Munsee Language &amp; History Symposium took place in
Princeton, NJ, and New York City on October 16-18, 2025. The event
continues and deepens relationships with Lunaapeewak from Munseespeaking tribal nations as they gather on their own traditional territory,
Lunaapahkiing, with students, staff, fellows, and faculty from Princeton
University and the Institute for Advanced Study (IAS). The theme for the
2025 symposium was “Reconnecting with Lunaape Land, Language, and
History,” with sessions hosted at Princeton Public Library, the American
Museum of Natural History, NYC (AMNH), IAS, and The Seed Farm at
Princeton.

Community members give presentations at the AMNH, NYC. October 17, 2025.
Photo: M. Moreton.

The AMNH visit provided an opportunity for community members to visit with Munsee belongings, including a bandolier bag, beaded
leggings, a wampum belt, wooden spoons and paddles, baskets, ears of corn, and ceremonial ancestor belongings. These belongings,
acquired in 1907 by the anthropologist M.R. Harrington from the three Munsee communities now located in Ontario, are the focus of
present-day community research and reconnection. John Nicholas and Ian McCallum (both Munsee-Delaware Nation), together with
John Moses (Delaware and Upper Mohawk bands, Six Nations of the Grand River Territory), gave a presentation on their visit with
Munsee belongings in Germany and Scotland during the summer of 2025. Julie Rae Tucker (Munsee-Delaware Nation), discussed the
Munsee connection to sacred dolls, including one among the belongings held at AMNH, and preparations for an exhibition of new
art by Vanessa Dion Fletcher (Eelunaapeewi Lahkeewiit / Potawatomi), “XWAT Naaniitus.” The day ended with discussions of the
responsibilities of museums holding Munsee and other Indigenous belongings. View the program here, with recordings of symposium
presentations and other Lunaape events at IAS here.

Munsee community members gather at The Seed Farm in Princeton. October 18, 2025. Photo: Sameer Khan/ Fotobuddy.

4

�LECTURES &amp;
CONVERSATIONS
Early Books Research - Washington Gospels Science Convening
In January 2026, Andrew Nelson (Western University)
and Jessica Lockhart participated in a two-day Science
Convening on the Washington Gospels hosted by the
internal Project Team at the Smithsonian’s National Museum
of Asian Art (NMAA) in Washington, DC. Purchased in Egypt
by Charles Lang Freer in 1906, the Washington Gospels is
among the oldest extant gospel books in the world: a 4th- or
5th-century parchment codex written in Greek uncial script,
with a now-much-deteriorated Coptic binding of wooden
boards decorated with encaustic paintings of the four
Evangelists, in a style dated to the 7th or 8th century. This
Science Convening marked an early milestone in a large-scale
interdisciplinary research project investigating the materiality
and history of this codex, announced at a Forbes Colloquium

Examining the boards and a detached gathering of the Washington Gospels. National Museum
of Asian Art, Smithsonian Institution, Freer Collection, Gift of Charles Lang Freer, F1906.274.
Photo by Hutomo Wicaksono.

in September 2025. Specialists in research methods from ancient DNA sequencing to hyperspectral imaging examined the codex and
identified priorities for future research. Nelson and Lockhart are working with the NMAA team and colleagues at the Smithsonian’s
National Museum of Natural History on how to safely microCT scan the book’s binding and covers, with the aim of accessing hidden
details within the spine and boards.

Centering Relational Responsibility and Indigenous Community Authority
In November 2025, Amanda McLeod (Sagkeeng Anicinabe Nation) spoke at the
Australian Institute for the Conservation of Cultural Material (AICCM) during the
conference “More Than Materials: Collaborative Approaches in Cultural Heritage
Conservation,” held at the State Library of Queensland, Brisbane. The event brought
together more than 320 global delegates to explore how conservation practice is
shaped by cultural relationships, ethical accountability, and community-centred
care. For the first time in AICCM’s history, two of the three days were curated with
First Nations leadership at the center of the program. This initiative, co-designed
with Caroline Martin, a Senior Boonwurrung Custodian and Founder and Managing
Director of Yalukit Marnang, centered on truth-telling, relational responsibility, and
community authority in conservation practice, foregrounding cultural protocols,
Indigenous worldviews, and critical reflection on colonial legacies.
McLeod’s presentation brought together Hidden Stories work, including the
Traditional Care Practices video series, with her own ongoing research into the
care of wampum belts and other Indigenous belongings held in museum and library

Amanda McLeod speaking on “Wâhkôhtowin: Hidden Stories,
Indigenous experience, and recentering the wampum” at the
2025 AICCM conference in Brisbane, November 13, 2025.
Photo: Juanita Kelly-Mundine.

collections. She explored how material conservation cannot be separated from treaty relationships, kinship systems, community
authority, and culturally grounded decision-making, while emphasizing institutions’ responsibility to participate in communityled frameworks for access, interpretation, and care. McLeod’s participation in the AICCM conference strengthened international
connections among conservation and heritage colleagues, reinforcing momentum toward community-centred models of stewardship
and ongoing global dialogue on relational care and cultural integrity. For more updates, visit the Great Lakes &amp; Eastern Woodlands
page on the Hidden Stories digital hub.

5

�Sealskin Book Seminar - Oslo
Hidden Stories team members Melissa Moreton and Alberto Campagnolo
presented on November 4, 2025 at an international seminar at the
Nasjonalbiblioteket, Oslo, on a medieval sealskin-covered manuscript
recently acquired by the library, likely dating from the early 13th century.
The seminar, “The Hagenes Codex and the Conservation of Medieval
Manuscripts,” was organized by researcher and Head of Conservation
Chiara Palandri. Known exemplars of sealskin-covered books from
the Nordic medieval context are extremely rare, and Palandri was the
first to identify the cover as sealskin using protein analysis and visual
analysis under magnification. Moreton’s presentation, “Tacketed Limp
Bookbindings in Medieval Europe: Contextualizing the Hagenes Codex
of 13th-century Norway,” and Campagnolo’s, “From Sealskin to Codex
Structure in the Digital Medium,” were followed by a model-making
workshop with a small interdisciplinary group of scholars and book
conservators.

(LT - RT) Alberto Campagnolo (KU Leuven/U.Tours), Jiří Vnouček (Det Kongelige
Bibliotek, Copenhagen), and Chiara Palandri (Nasjonalbiblioteket, Oslo) examine
the sealskin cover of the Hagenes Codex. Nov. 5, 2025, Conservation Lab,
Nasjonalbiblioteket, Oslo. Photo: M. Moreton.

Global Past Research Initiative Manuscript Workshop
Graduate students and professors from the University of Toronto, the
Indian Institute of Technology Bombay, and the American University in
Cairo met for the third workshop of the Global Past Research Initiative
(GPRI), held in the Toronto area on October 10-16, 2025. The workshop
facilitated student engagement with multiple manuscript traditions and
collections, with visits to the McMichael Canadian Art Collection, the Aga
Khan Museum and Ismaili Centre, the Thomas Fisher Rare Book Library,
and UofT’s Department of Near and Middle Eastern Civilizations. Hidden
Stories team members contributed to multiple stages of this event:
Alexandra Gillespie offered an introduction on ethical considerations
for manuscript study, while Jessica Lockhart and Rachel Di Cresce
organized a comparative introduction to book formats and technologies
using examples from the Fisher’s collection, and provided training in
the use of a DinoLite digital microscope for ink characterization. The
Zulfikar Hirji discusses a Qur’an from coastal East Africa with GPRI participants.
October 16, 2025: Photo: Jessica Lockhart

DinoLite came in handy again for the display and discussion of a Qur’an
from Siyu, Kenya, by Zulfikar Hirji (York University) on the final afternoon.

Global Judaica - Lectures &amp; Workshop (Israel and Canada)
In September 2025, Noam Sienna participated in a workshop at the Ben-Zvi Institute for the Study of Jewish Communities in the East
(Jerusalem), on the topic of “Books and Libraries among Jewish Communities of the Islamic World.” His paper presentation, based
on research from the Global Judaica project, discussed the Ibn Nahmias family and their printing house in Ottoman Constantinople,
the first Hebrew press in the Islamic world. While in Jerusalem, he also spent several days examining 16th-century Constantinople
imprints from the collection of the National Library of Israel, including two copies of the 1493 Arba’a Turim. In November, Sienna also
spent a week in Halifax as a Scholar/Artist-in-Residence at Dalhousie University’s Center for Jewish Studies, in collaboration with
King’s College and the Nova Scotia College of Art and Design. His activities included class visits, two hands-on workshops on Hebrew
calligraphy and letterpress printing, and a public lecture on “The Theology of Jewish Printing in Ottoman Constantinople.”

6

�PUBLICATIONS
Two New Books Published
We are thrilled to share that two edited volumes associated with the project have just been published.
The Early Illustrated Apollonius of Tyre: Studies of a Sinai Palimpsest presents the extraordinary
discovery at St Catherine’s Monastery, Sinai of a fragment of a 6th-century illustrated codex of
the Story of Apollonius, King of Tyre. On parchment first reused for an Athanasian Creed in Latin
and, since the 9th century, bound into one of the earliest Arabic Gospels (Sinai, Arabic New Finds
8 and 28), the fragment preserves three layers of textual history — a triple palimpsest in Latin,
Latin, and Arabic. Co-edited by Michelle Brown and Jessica Lockhart, and published by Barkhuis
as a supplemental volume of Ancient Narrative, this volume’s essays offer new perspectives on
the ancient novel and on late antique and early medieval Mediterranean networks of language,
religion, patronage, and trade and are accompanied by high-quality images, edited transcriptions,
and an appendix that describes all the fragments in the manuscript.

The second publication is the richly-illustrated Textiles in Manuscripts: A Local and Global History
of the Book, published with De Gruyter. The volume, co-edited by Melissa Moreton and Suzanne
Conklin Akbari, emerged from the 2021 Textiles in Manuscripts workshop, hosted virtually at
the IAS, Princeton, as part of The Book and the Silk Roads project that preceded Hidden Stories.
The book includes chapters by workshop presenters as well as new contributors, broadening
the scope to include:
•

New research on Syriac, Armenian, Byzantine, Ethiopian, Chinese, Mongolian,
Islamic, and Hebrew manuscripts from late antiquity through the early modern
period

•

Production, trade, and exchange of books in a global perspective

•

Contributions by book historians, textile scholars, conservators, art historians,
and codicologists

Article on Printed Cairo Genizah Fragment
Noam Sienna recently published on the Cambridge University Library blog an article concerning a poem on chess that he discovered
preserved in a printed fragment from the Cairo Genizah, originally from the Ibn Nahmias press which was active in 16th-century
Constantinople: “‘Their Battlefield is Eight upon Eight’: A Newly-Discovered Hebrew Poem on Chess (T-S Misc. 17.60).” Read the post
here, on the Genizah Research Unit website (Nov. 2025).

7

�RESEARCH UPDATES

LT: 3D printed tablet both true to size (left) and enlarged for easier reading (right). Printed by Grasselli Geomechanics Lab, UofT; RT: Alistair Mascarenhas, Lab Manager for
Grasselli’s Geomechanics Lab, checking completed scan. Photos: Rachel Di Cresce

Babylonian Tablet Scanning &amp; 3D Printing
The Thomas Fisher Rare Book Library is home to a Babylonian tablet from 1789 BCE; it is the oldest object in the library’s collection.
As part of a collaborative Hidden Stories project between the library, Grasselli’s Geomechanics Lab, conservator Maia Balint, and PhD
candidate Raquel Robbins, the tablet was scanned using the EasyTom X-ray CT system to produce a 3D model which allows users to
manipulate and read the tablet (access to which is severely restricted). The scan enabled two 3D prints of the tablet: one to scale and
another enlarged for greater legibility. We are excited to have these models as part of the Fisher Teaching Collection, so that students
and researchers can handle and learn about the tablet in a new way. Raquel is now preparing a transcription and translation; we hope
new information regarding the use, history, composition, and provenance of this ancient book will soon be brought to light.

Tibetan Blue-Black Manuscripts at ROM
Jim Canary visited Tibetan mthing shog or blue-black manuscripts in the Royal Ontario
Museum (ROM) in September, 2025. Mthing shog manuscripts are the highest level of Tibetan
Buddhist manuscript production and have a distinctive shiny, blue-black surface created by
painting a sheet of Himalayan paper with a mix of soot, brain (yak, goat, or sheep), and hide
glue, and burnishing it to a high sheen. Sacred texts are then calligraphed on the sheets, often
in gold or silver inks.
Mthing shog manuscripts are the focus of conservation research, since some suffer from
issues of ‘white bloom’—saponification of the fats of the brain which migrate to the surface,
obscuring the sacred writing on the page. This is a conservation issue for Tibetan books in the
Himalayas and within many global collections and is a focus of research by the Hidden Stories
team. Stay tuned for updates!
Jim Canary and Jessica Lockhart with a blue-black
Tibetan manuscript leaf at the ROM (957.211.1).
September 29, 2025. Photo: M. Moreton

8

�TEAM UPDATES
Hagos Abrha Abay - Making Ethiopic Manuscripts Accessible
Scholar and Gə’əz philologist Hagos Abhra Abay completed his Hidden Stories research associateship in 2025, in conjunction with the
Textiles in Ethiopian Manuscripts (TEM) project, UofT’s Department of Historical and Cultural Studies, and the Department of Near &amp;
Middle Eastern Civilizations, where he taught Gə’əz language. We are very happy to share that Abay will continue to stay connected
with Hidden Stories as he completes textual descriptions of the Ethiopic manuscripts at the UofT’s Thomas Fisher Rare Book Library.
His work will allow the collection of approximately forty codex manuscripts to be catalogued, digitised, and made accessible online
through the UofT.

Hidden Stories Welcomes Alexandra Atiya
We are thrilled to welcome Alexandra Atiya to the Hidden Stories team! Atiya just completed her
PhD on late-medieval English and Iberian drama at UofT and will be dividing her time between the
Hidden Stories project, the Old Books New Science Lab, and the Records of Early English Drama
project at the UofT. As a research assistant, she supported the “Hidden Stories: Books Along the
Silk Roads” exhibition at the Aga Khan Museum (2021-2022), contributing important information on
the manuscripts and texts included in the exhibition. More recently, Atiya has been working with the
Andrews Book Science project team to scan and process multispectral book images. Her Hidden
Stories work will include assisting in organizing events, arranging logistics for scholar visits, as well
as supporting community-led research. Atiya notes, “I’m looking forward to continuing my work with
Hidden Stories welcomes Alexandra Atiya
to the team! Photo: Elah Feder

OBNS and Hidden Stories!”

Noam Sienna Completes Global Judaica Postdoc Fellowship
We sadly say farewell to postdoctoral fellow Noam Sienna, who wrapped up an incredibly
productive postdoctoral fellowship at the end of 2025, co-hosted by Hidden Stories, the
Centre for Jewish Studies, and the Centre for Medieval Studies at the University of Toronto.
Sienna notes that the two years spent with the Hidden Stories project have transformed his
research, advanced his career, and introduced him to new methodologies, resources, and
relationships. Over the course of his fellowship, he explored many areas of and topics in
Jewish book culture of the premodern Islamic world, including Abbasid Baghdad, medieval
Egypt, 16th-century Istanbul, and early modern North Africa. Among other research strands,
his main research efforts have been centered on a monograph on Hebrew printing in
Istanbul 1493-1530, which took significant shape during his fellowship. Sienna says that this
research field “continues to surprise me with its depth and richness,” and concludes, “I am
so grateful for the opportunity to study Jewish books in the global context of premodern
history, and I hope that the Hidden Stories project continues to produce innovative
work and lead the field through its interdisciplinary collaboration.” Thank you, Noam!

Noam Sienna at the Jewish Theological Seminary,
NYC, examining a copy of the Arba’a Turim, for his
research on early Hebrew printing in Istanbul.

9

�UPCOMING EVENTS
Book Science Virtual Meeting
As part of a collaboration with Professor Paul Dilley (University of Iowa), the Hidden Stories team is organizing a two-day Book Science
Virtual Conference on May 29-30, 2026. Global participants will come together to discuss the state of the field, current projects, and
future directions. On the first day, scholars will give opening statements introducing specific subfields of book science research from
their perspective: what has been accomplished so far, and where the next goals and hurdles lie. The second day will open out to
lightning talks with the theme of “new discoveries, new directions,” where research teams will report on their current work, as well as
responding or adding to the perspectives shared on the first day.
If you’d like to attend, please register here.

(LT to RT) Hidden writing revealed through multispectral (MSI) image on a water-damaged 15th-c. Hebrew manuscript on paper from Iberia (Freidberg MSS 3-012, Thomas Fisher
Rare Book Library); MSI image of a parchment binding fragment, identified through imaging and analysis as a 15th‑c. letter drafted from King Louis XI (Reuter FF0012, Robertson
Davies Library, Massey College, UofT); Image of amatl/ ficus fibre of a Techialoyan Codex (1690-1720) taken at UofT’s Yip Lab with ZEISS Axio Z1 optical microscope, 40x
magnification (Axoloapan Xoloctlan, Thomas Fisher Rare Book Library). MSI image credit: Stephanie Lahey.

Visit our Digital Hub to learn more about the project, Hidden Stories: New Approaches to the Local and Global History of the Book
Editorial Credits: Melissa Moreton, Jessica Lockhart, Rachel Di Cresce, Suzanne Conklin Akbari, Alexandra Gillespie
Banner image: Indian textile pasted onto the inner cover of a 19th-c. Ethiopian manuscript. Oxford, Bodleian Library, MS Aeth.f.29, in
Textiles in Manuscripts: A Local and Global History of the Book, p. 170.
Designer: Azure Pham

10

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